With the release of his debut album I Barely Know Her on August 22, sombr got the chance to prove himself beyond hit singles and internet hype—as he sings on “dime,” “Just want the chance to show you I got more than charm.”

Because what is a more enriching experience than standing in line in front of Gaston Hall for an indefinite amount of time? Now, that is the hallmark of the Georgetown experience. After an in-depth analysis of potential candidates, here are my fabulous top five.

When I saw Sarah Kinsley at a music festival this summer, I was blown away by the cinematic experience.

For the first time in years, director James Gunn’s unabashedly bright rendition of Superman’s eponymous hero reminds us of the comic book characters that big-screen superheroes are supposed to represent.

With a tone akin to a shimmering, hazy sun, heavy shoegaze band Glare will take to The Atlantis this Monday, Oct. 6.

“Here comes Johnny Yen again,” and he is coming to The Anthem.

On Sunday, Sept. 14th, Royel Otis took over The Anthem in a sold-out show for their sophomore album, hickey.

What’s your favorite work of art? This question usually prompts a variety of answers from Michelangelo’s monumental marble sculptures to Monet’s colorful, cloudy water lilies.

On Sunday night, Minneapolis-based indie rock band Night Moves will take the stage at The Atlantis as their eighth stop on their Double Life tour.

On September 14, 2025, Royel Otis will bring their “meet me in the car” tour to The Anthem in Washington, DC.

This Friday, two of pop punk’s longest-standing yet freshest-sounding acts will grace the home of their hardcore forefathers. Toronto’s PUP and New York’s Jeff Rosenstock will come together at The Anthem, delivering hook-heavy anthems and sweaty sing-alongs for the night.

I have never been to California so my perception of the state is largely mythologized, abstract, and sensory.

I sat down with Roberra Djalleta, the lead vocalist of the D.C.-based band Berra at Comet Ping Pong.

Romance is not dead. Or, rather, the romance novel is not dead. From Jane Austen to the Harlequin novels up to Emily Henry and Abby...

This year's Oscars became a showcase of Hollywood’s ongoing descent into artificiality—both literally and figuratively.