On Oct. 23, Indigo de Souza brought her Precipice Tour to the 9:30 Club, joined by Landon George on bass, Lila Richardson on drums, and Mike Johnson on guitar and keys. The night began with opener Mothé, who later joined de Souza on stage for their joint song “Serious” (2025). Their friendship was palpable, setting a relaxed tone that carried throughout the evening.  The audience, a lively mix of ages, buzzed with excitement, ready to sing, dance, and connect with de Souza. T

“So you say I’ve got a funny face,” croons MJ Lenderman as harsh guitars give way to softer melodies at the start of “Wristwatch” (2024).

While the setlist covered both new and old material, it was clear that many audience members were less familiar with the band’s newer songs. Still, when the opening notes of “Little Talks” and “Dirty Paws” began, the entire venue came alive. The voices of the crowd joined as one, echoing back lyrics that defined a generation of indie music lovers.

Big Thief performed at The Anthem Saturday, Oct. 25 as part of their Somersault Slide 360 Tour, which highlights their 2025 album Double Infinity.

“At this point, I can confidently say she is greedy. I can also confidently say the music is so good that I’ll never stop giving her my money.” Olivia Baisier (CAS ’24), a former INDY editor, wrote this two years ago in an article titled “Money, Power, Glory: Taylor Swift’s The Eras Tour.” 

Is the final season of The Summer I Turned Pretty highbrow entertainment? Well, no. But even the most cynical viewer has to admit—it’s compelling.

Have you ever woken up and wanted to scream but made no noise? Or have you ever been interested in closing your eyes and sprinting through a treeless forest? If you or someone you know has ever experienced these symptoms, consider listening to Death Grips, the only known cure for this dire situation.

As both Taylor Swift and Marvel reached unimaginable heights of success, both monetarily and culturally, the troubling question arises: Does artistic vision suffer when a brand is guaranteed success? 

Thundercat’s show last Tuesday at the Anthem was perhaps exactly what I needed in a mid-week break from the intensity of on-campus life. On stage, he was just as funny, weird, and eclectic as you would imagine him to be.

On September 19, 2025, the 10-track album Buckingham Nicks was finally re-released. While the album cannot compare to Fleetwood Mac’s Rumours (1977), it does serve as a nostalgic reminder of what Nicks and Buckingham had before the fame—and its accompanying drama.

Sometimes an album comes out that feels so polished, so creative, so new, and yet it goes almost completely unnoticed. That’s what happened when SPRINTS released their sophomore album, All That Is Over, this September.

Hey Mates! Welcome to “Creature Watch,” your favorite show about nature’s most peculiar creations. Here in the Joseph Mark Lauinger Memorial Library, we’ve caught sight of an elusive creature in its natural habitat. Say hello to the Homo chattiusgptius!

I expected the themes and sonic cohesiveness of Absolutely, but Baby  is not a mere reiteration of what Dijon's done before. It’s an evolution— incorporating new samples, instruments, and ideas at every turn.

Earlier this month...I took my bike around the National Mall to get a feel for the changes infecting our city.

As I walked through the front gates of campus, the cheers of Georgetown Admissions Ambassador Program (GAAP) weekend staffers echoed around me, their voices bouncing off the stone walls of campus and filling the fresh spring air. Among the hum of conversation, the sway of the blue and white balloon arches, and the sea of smiling faces, I spotted someone I recognized.  I hadn’t learned about Georgetown from an admissions officer or a glossy brochure. I learned about it from a