Billie Eilish vs. the Billionaire Industrial Complex
Billie Eilish walked into the Wall Street Journal Innovator Awards on Oct. 29 to receive an award for her climate and social justice advocacy. She walked out as the center of an internet firestorm.
Kelsey Perriello
Dec 3, 2025


You Make Me Think My Therapy is a Waste of Money: Florence + The Machine’s Everybody Scream
"I think the sound that came out of me was like a wounded animal or something," said Florence Welch, frontwoman of Florence + The Machine, describing the aftermath of a near-death experience and the subsequent medical procedure that saved her life.
Chandler Paulk
Dec 3, 2025


Getting to the Meat of It: Fifteen Years of Lady Gaga’s Meat Dress
It’s not often that PETA and conservatives find themselves on the same side of a political controversy. In fact, precisely 15 years have passed since the last time this occurred.
Grace Guernsey
Dec 3, 2025


Geese, an Eccentric Rock Band for a New Generation
With the release of their brand new landmark album Getting Killed, Brooklyn’s very own Geese has brought the Big Apple back to the forefront of modern rock.
Elliot Anderson
Dec 2, 2025


The Queerest Night of the Year: Georgetown’s Rocky Horror
Getting labeled as a virgin might sound like a humiliation ritual, but for The Rocky Horror Picture Show attendees, it's a rite of passage.
Natalia Gonzalez-Chelala
Dec 2, 2025


The Chair Company
In a year of thrilling dramas like Severance and Yellowjackets, in addition to the comedic masterpieces of Nathan Fielder’s The Rehearsal and Danny McBride’s The Righteous Gemstones, Tim Robinson’s new series The Chair Company blindsided me.
Maxine Messina
Dec 2, 2025


Material Memory Through the Georgetown Art Galleries
The Georgetown University Art Galleries, tucked away in the Walsh building on South Campus, host semester-long exhibitions in their two gallery spaces. This fall, the flagship Maria & Alberto de la Cruz Art Gallery displays recent work of McArthur Binion in Notes on Form (Intimate Structures), and the Lucille M. & Richard F. X. Spagnuolo Gallery displays Lorraine O’Grady’s Miscegenated Family Album (1980/1994).
Ted Bergman
Dec 2, 2025


Geese and Dove Ellis Take Flight at the 9:30 Club
Despite their names, Geese and Dove are the most human artists playing today. No more than a few steps inside the 9:30 Club, we were met with a sea of fans flooding the venue. Many were quick to converse, making even the most awkwardly packed-in attendee fit in. Some had paid hundreds of dollars or traveled far distances to make it to this show. This concert even became a major talking point in the ever-growing discussion about the absurdity of resale prices. After their mas
Brendan Carroll and Elliot Anderson
Nov 25, 2025


Review: Indigo de Souza at the 9:30 Club on Oct. 23
On Oct. 23, Indigo de Souza brought her Precipice Tour to the 9:30 Club, joined by Landon George on bass, Lila Richardson on drums, and Mike Johnson on guitar and keys. The night began with opener Mothé, who later joined de Souza on stage for their joint song “Serious” (2025). Their friendship was palpable, setting a relaxed tone that carried throughout the evening. The audience, a lively mix of ages, buzzed with excitement, ready to sing, dance, and connect with de Souza. T
Allison Errico
Nov 17, 2025


The Heartbroken Jester’s Dilemma: MJ Lenderman’s Manning Fireworks
“So you say I’ve got a funny face,” croons MJ Lenderman as harsh guitars give way to softer melodies at the start of “Wristwatch” (2024).
Maxine Messina
Nov 11, 2025


Review: Of Monsters and Men at The Anthem on Nov. 3
While the setlist covered both new and old material, it was clear that many audience members were less familiar with the band’s newer songs. Still, when the opening notes of “Little Talks” and “Dirty Paws” began, the entire venue came alive. The voices of the crowd joined as one, echoing back lyrics that defined a generation of indie music lovers.
Maya Taylor
Nov 11, 2025


Review: Big Thief at The Anthem on Oct. 25
Big Thief performed at The Anthem Saturday, Oct. 25 as part of their Somersault Slide 360 Tour, which highlights their 2025 album Double Infinity.
Ted Bergman
Nov 10, 2025


An INDY Artist: Our Coverage of Taylor Swift, Then and Now
“At this point, I can confidently say she is greedy. I can also confidently say the music is so good that I’ll never stop giving her my money.” Olivia Baisier (CAS ’24), a former INDY editor, wrote this two years ago in an article titled “Money, Power, Glory: Taylor Swift’s The Eras Tour.”
Lorelei Schwarz
Nov 10, 2025


People, The Last Season of The Summer I Turned Pretty Is Actually Kinda Good
Is the final season of The Summer I Turned Pretty highbrow entertainment? Well, no. But even the most cynical viewer has to admit—it’s compelling.

Grace Copps
Nov 9, 2025


Stay Noided This Fall With Death Grips, Your New Favorite Band
Have you ever woken up and wanted to scream but made no noise? Or have you ever been interested in closing your eyes and sprinting through a treeless forest? If you or someone you know has ever experienced these symptoms, consider listening to Death Grips, the only known cure for this dire situation.
Quinn Ross
Nov 9, 2025

