The sun warmed my skin as I stepped off the bus, a soft kiss amidst the overstimulating chaos of Buenos Aires. Still adjusting to saying summer in February—a small reminder of how far I was from home—I looked between the blooming trees to the skyscrapers high above us as my friends and I made our way to the city center.

Despite largely self-identifying as a metalhead, I’ve found increasing love for music with a more eerie flair. In pursuit of this new passion, I recently had the opportunity to sit down with Anastasia, a striking figure in the D.C. alternative scene, to talk about all things Goth.

Recently, a British Vogue article titled “Is Having a Boyfriend Embarrassing Now?” circulated widely among twenty-something women online.

Waxhatchee (Katie Crutchfield) and MJ Lenderman—two of the biggest names in the modern indie folk-country scene— are fresh off the tracks of an incredibly successful year with both of them earning Grammy nominations for their respective 2024 albums, Tiger’s Blood and Manning Fireworks, both of which were met with near universal critical acclaim.

Billie Eilish walked into the Wall Street Journal Innovator Awards on Oct. 29 to receive an award for her climate and social justice advocacy. She walked out as the center of an internet firestorm.

"I think the sound that came out of me was like a wounded animal or something," said Florence Welch, frontwoman of Florence + The Machine, describing the aftermath of a near-death experience and the subsequent medical procedure that saved her life.

It’s not often that PETA and conservatives find themselves on the same side of a political controversy. In fact, precisely 15 years have passed since the last time this occurred.

With the release of their brand new landmark album Getting Killed, Brooklyn’s very own Geese has brought the Big Apple back to the forefront of modern rock.

Getting labeled as a virgin might sound like a humiliation ritual, but for The Rocky Horror Picture Show attendees, it's a rite of passage.

In a year of thrilling dramas like Severance and Yellowjackets, in addition to the comedic masterpieces of Nathan Fielder’s The Rehearsal and Danny McBride’s The Righteous Gemstones, Tim Robinson’s new series The Chair Company blindsided me.

The Georgetown University Art Galleries, tucked away in the Walsh building on South Campus, host semester-long exhibitions in their two gallery spaces. This fall, the flagship Maria & Alberto de la Cruz Art Gallery displays recent work of McArthur Binion in Notes on Form (Intimate Structures), and the Lucille M. & Richard F. X. Spagnuolo Gallery displays Lorraine O’Grady’s Miscegenated Family Album (1980/1994).

Despite their names, Geese and Dove are the most human artists playing today. No more than a few steps inside the 9:30 Club, we were met with a sea of fans flooding the venue. Many were quick to converse, making even the most awkwardly packed-in attendee fit in. Some had paid hundreds of dollars or traveled far distances to make it to this show. This concert even became a major talking point in the ever-growing discussion about the absurdity of resale prices. After their mas

On Oct. 23, Indigo de Souza brought her Precipice Tour to the 9:30 Club, joined by Landon George on bass, Lila Richardson on drums, and Mike Johnson on guitar and keys. The night began with opener Mothé, who later joined de Souza on stage for their joint song “Serious” (2025). Their friendship was palpable, setting a relaxed tone that carried throughout the evening. The audience, a lively mix of ages, buzzed with excitement, ready to sing, dance, and connect with de Souza. T

“So you say I’ve got a funny face,” croons MJ Lenderman as harsh guitars give way to softer melodies at the start of “Wristwatch” (2024).

While the setlist covered both new and old material, it was clear that many audience members were less familiar with the band’s newer songs. Still, when the opening notes of “Little Talks” and “Dirty Paws” began, the entire venue came alive. The voices of the crowd joined as one, echoing back lyrics that defined a generation of indie music lovers.