With the release of their brand new landmark album Getting Killed, Brooklyn’s very own Geese has brought the Big Apple back to the forefront of modern rock. 

In a year of thrilling dramas like Severance and Yellowjackets, in addition to the comedic masterpieces of Nathan Fielder’s The Rehearsal and Danny McBride’s The Righteous Gemstones, Tim Robinson’s new series The Chair Company blindsided me.

Have you ever woken up and wanted to scream but made no noise? Or have you ever been interested in closing your eyes and sprinting through a treeless forest? If you or someone you know has ever experienced these symptoms, consider listening to Death Grips, the only known cure for this dire situation.

Sometimes an album comes out that feels so polished, so creative, so new, and yet it goes almost completely unnoticed. That’s what happened when SPRINTS released their sophomore album, All That Is Over, this September.

On Nov. 3, Of Monsters and Men (OMAM) will perform at The Anthem as part of their North American tour for their long-awaited album All Is Love and Pain in the Mouse Parade  (2025). Formed in Garðabær, Iceland, in 2010, the indie-folk group rose to international fame with their 2011 debut “My Head Is An Animal” and hit single “Little Talks,” which has since surpassed one billion streams on Spotify. OMAM defined a new era of indie folk music in the early 2010s with fairytale-in

Thundercat, the stage name of American musician, singer, record producer, songwriter, and bassist Stephen Lee Bruner, will grace the halls of D.C.’s The Anthem Tuesday, Oct. 28.

Next Thursday night, Indigo De Souza will take the stage at 9:30 Club, making D.C. the fourth stop on her Precipice world tour.

In 1993, in the suburban working-class wastelands of the state of Washington, Isaac Brock, Eric Judy, and Jeremiah Green formed the indie rock band Modest Mouse.

On October 19, Yung Lean’s “Forever Yung” tour hits The Anthem. Jonatan Aron Leandoer Håstad, best known by his stage name Yung Lean, is a Swedish rapper known for his contributions to cloud rap.

When I saw Sarah Kinsley at a music festival this summer, I was blown away by the cinematic experience.