Thundercat’s show last Tuesday at the Anthem was perhaps exactly what I needed in a mid-week break from the intensity of on-campus life. On stage, he was just as funny, weird, and eclectic as you would imagine him to be.

On September 19, 2025, the 10-track album Buckingham Nicks was finally re-released. While the album cannot compare to Fleetwood Mac’s Rumours (1977), it does serve as a nostalgic reminder of what Nicks and Buckingham had before the fame—and its accompanying drama.

I expected the themes and sonic cohesiveness of Absolutely, but Baby  is not a mere reiteration of what Dijon's done before. It’s an evolution— incorporating new samples, instruments, and ideas at every turn.

On October 3, Taylor Swift, arguably the most in-demand woman in music, released her 12th studio album, The Life of a Showgirl.

Rising rap sensation Doechii performed at The Anthem in October as a stop on her Live From the Swamp tour. And live from the swamp she was, coming out on stage like a predator, laser-focused and dominant.

I counted 12 flannel T-shirts within the first minute of arriving at the Saturday night Modest Mouse show before realizing this little game of mine was a futile endeavor...

The audience was reborn alongside Jonatan Hastad, better known as Yung Lean, this past Sunday at The Anthem.

Last month, Minneapolis-based indie rock band Night Moves transported The Atlantis back to the 1970s with their nostalgic, dreamy, and psychedelic sound.

The most beautiful and painful things in life are often the memories we cannot escape. Racing Mount Pleasant explores this idea on their self-titled sophomore album...

When you’re standing behind the three tallest men in the venue at Alex G’s concert, you can’t rely on the chance that you’ll catch a glimpse or make eye contact with the artist to carry you through the show.