“Watch Me, I’ll Go Far”: The Exciting New World of SPRINTS

Sometimes an album comes out that feels so polished, so creative, so new, and yet it goes almost completely unnoticed. That’s what happened when SPRINTS released their sophomore album, All That Is Over, this September. A masterpiece in Irish post-punk fueled by raw energy and incredible performances, this is the album for anyone craving the punk spirit in 2025.

SPRINTS formed in 2019, a project of childhood friends who share a deep passion for music. With their debut album coming out just last year, SPRINTS builds upon their intense and layered yet catchy sound on its follow-up album.

At one moment, All That Is Over is quiet—a pastiche of nervous energy, subtle and ready to explode. Before you know it, however, the album bursts into a wall of sound. Guitars scream all around, enveloping the listener while lead singer Karla Chubb’s powerful vocals soar over top of tight basslines and drum grooves. Then, just as if nothing happened, we are back to restrained and delicate instrumentals. Most other bands would struggle to make such frequent and drastic changes in intensity work, but SPRINTS and their producer Daniel Fox execute this masterfully. Captivating choruses, addictive riffs, and dynamic contrasts are the perfect recipe for a SPRINTS song.

Chubb’s lyricism ties this sound together. Throughout this album, she expresses her anger about vanity, greed, and false prophets. The lyrics build, with repetitive motifs that expand as each song progresses in intensity. Chubb has stated that she takes influence from Patti Smith, My Bloody Valentine, and even modern greats like the Viagra Boys. While these influences are apparent, there is something truly unique about SPRINTS. All That Is Over’s hard-hitting and emotionally poignant tracklist is a breath of fresh air for today’s rock scene.

---

Elliot Anderson is a sophomore in the College majoring in Biology and minoring in vanity, greed, and false prophets.