Elizabeth Pecoraro
- Nov 21
Gabrix Graffio: How a Mafia-Controlled City Inspired the Voice of Italy’s Underground Rap
Foggia, a city i southern Italy, is a place of stark contrasts—rich history meets challenging present, with the shadows of organized...
Alexandra Smithie
- Nov 21
Re-examining The Crucible: A Review of Mask and Bauble’s ‘John Proctor is the Villain’
John Proctor is the Villain, directed by Molly Evanko of Georgetown’s Mask and Bauble, follows a group of students at Helen County High...
Olivia Zhao
- Nov 21
Sprain’s ‘The Lamb as Effigy’
On October 16, a little over a month after the release of their second album, The Lamb as Effigy, Los Angeles-based experimental rock...
Shania Murdock
- Nov 20
The Blood You Can’t Wash Off: Colonialism in 'Castlevania: Nocturne'
Vampires are one of the few mythical creatures that have remained a timeless staple of American arts and culture for decades. Whether it...
Benjamin Fishbein
- Nov 20
The Sacramental Cinema of Martin Scorsese
"I believe in the tenets of Catholicism. I'm not a doctor of the church. I'm not a theologian who could argue the Trinity. I'm certainly...
Sabrina Bailey
- Nov 20
Sufjan Stevens’s ‘Javelin’
Sufjan Stevens is no stranger to sorrow. For more than two decades, Stevens has crafted poignantly introspective albums from Carrie &...
Lucy Cullen
- Nov 20
In Rosewater’s Garden
Since their first show on Aug. 26 at the Georgetown Crew Team’s house, Rosewater has seized the reins of Georgetown’s live music scene...
Wendi Wang
- Nov 20
China’s Hidden Century: What Were You Trying to Hide, British Museum?
How would you depict 19th-century China? It’s the question that’s been perplexing the British Museum for the past four years. In...
Ceci Mestre
- Nov 20
Can you name five women artists?
No, really—this isn’t a gimmicky, attention-grabbing question; I encourage you to take a minute to come up with a few names. I don’t...